It’s been a minute. I’m working on something, but not sure what it is. Mostly I’m in a schizophrenic series of modes, writing this “thing” and then turning that off to write a profile on Jazz musician and beat maker Karriem Riggins. He just dropped his second album Headnod Suite. Riggins is a musical descendant of the late J Dilla. They were frequent collaborators. But Riggins definitely has his own approach to production. My ears perked up to him when I saw …
Tag: la weekly
For LA Weekly I wrote an article about rapper and songwriter Gizzle. Also, I talked to rapper and producer The Koreatown Oddity. Check Gizzle’s EP 7 Days In Atlanta, shorty got bars. She’s like the Dolly Parton of rap, meaning, she pens hella songs, or in this case, raps for a lot of popular rappers. TKO was a humble cat who happens to be a multi-talented hardworking artist. Stones Throw Records just dropped his album Finna Be Past Tense. His Driving While Black flick was …
Rapper Bambu’s eighth studio album Prey For The Devil cuts through like a box cutter to the face. It’s a tightly executed thematic album and it’s one of my favorite albums of last year. OJ the Producer and DJ Phatrick’s production works like a stage for a rapper who uses his words for a molotov cocktail. Bam is woke as fuck. Sad that he ain’t saying nothing new. Sadder that what he’s saying feels new. Click bate makes history feel irrelevant and …
To commemorate the 25th anniversary of 2Pac’s debut album 2Pacalypse Now, I wrote something for L.A. Weekly about how that record influenced me as a kid. Pac’s career only lasted for a five-year blink-of-an-eye span. He was twenty-five when he passed. This year he was nominated for the Rock N’ Roll Hall of Fame. He wasn’t a saint or an infallible icon. He was a man that made a lot of mistakes like most people, except his faults were publicized and broadcasted for the whole …
I just wrote an article for LA Weekly. It’s about L.A. mobile DJ crew, Uncle Jamm’s Army (UJA), founded by Rodger Clayton aka Ace of Dreams aka Mr. Prinze. From the late 70’s to the mid 80’s, The Army was king. Nobody was doing it like them, nobody. After working on this piece, I started to speculate that West Coast DJ’s were way ahead of East Coast DJ’s, from how they set up their turntables, scratching, blending, to how they approached the use …
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