A tar-painted female figure shines forks for a halo. Her arms have eyes. She’s holding a pair of old brown work boots as an offering. A second figure holds a banjo. She’s skating on top of an alligator that’s lying flat on a skateboard. A third wears electrical outlets for a dress. She’s about to explode. Her chicken legs and tiny feet are seemingly too fragile to support her swollen body. The lips of their cowrie shell mouths curl inward, …
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