Looking at David Ball’s mixed-media paintings is analogous to staring at alien creatures that function as your reflection. They exist in a parallel universe where life is represented through cultural fragments that are made to unlock as opposed to enslave. When watched, the paper hearts of these colorful creatures feverishly swell and sputter, “friend or foe?” Trapped in an undefined narrative, they are frozen in motion, in a space and time that dances on the inside of eyelids. Ball, who …
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