The intricate and surreal visuals of Chris Lavis and Maciek Szczerbowski’s stop-animated story Madame Tutli-Putli are alluring from the very first frames. Stadium lights are the only evidence given that the first scene takes place at a train station. They turn on like a controlled explosion to illuminate a foggy world. The camera pans along the ground where random objects are lined up: a record player, empty picture frames, a rocking chair, stacked books and piles of suitcases. They have sentimental value. They …
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