The evolution of Sam Grant’s art has gone through mutations searching to settle on a well-fitted aesthetic. Some of his earlier output involved a man nailed to the cross of a satellite dreaming of space, F.E.A.R. (False Evidence Appearing Real) made a wrist doubt its pulse while a woman turned her back to a pathetic mushroom cloud. After years of producing paintings, illustrations, and collages, he started making zines. They were attempts at using story to evoke absurdity, humor, and …
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