Komikka Patton’s art reminded me of “Way in the Middle of the Air” from Ray Bradbury’s Martian Chronicles. “Did you hear about it?”“About what?”“The niggers, the niggers!”“What about ‘em?”Blacks secretly built rocket ships. Astonished whites wondered if there were laws banning Blacks from building such things.“Them leaving, pulling out, going away; did you hear?”“What you mean, pulling out? How can they do that?”“They can, they will, they are.”“Just a couple?”“Every single one here in the South!”“No.”All gathered, they lined up …
Tag: feature
On his latest effort, Seattle native Porter Ray turns up a deeper, darker sensuality of emotional violence. Emerging from the tutelage of Ishmael Butler (Digable Planets, Shabazz Palaces), Porter Ray secured his own niche in the ever-evolving folds of hip-hop. His smoky, opium-shrouded brand of hip-hop finds an unusual, though comfortable, counterpoint between softly sensual grooves and a bitter evincing of a hard-lived life. Ray’s 2017 Sub Pop debut, Watercolor (following his true debut, 2016’s Nightfall, on indie label Intratecque) …
I’ve known Homeboy Sandman for quite sometime now. We actually met at an outdoor concert thrown by our homie Tah Phrum Duh Bush in Downtown Brooklyn about seven years ago. I had heard his name swinging around a bit before hand so when I saw him actually rock on stage I was impressed. Sometime that day we fell into a casual conversation and the fact that I was a producer came up, now at that point I mainly had done only production …
“The number one thing is to have your camera with you all the time, and have photography on your mind all the time, then let life just happen. And don’t forget to use the camera when that’s all going on,” said photographer Shaun Roberts. Originally from Thailand, Bangkok, Roberts has lived and worked in San Francisco since 1999, back when he was studying New Media at The Academy of Art. He’s photographed and profiled artists Doze Green, Mars 1, Brett …
On The Grind is a short documentary about kids of color growing up in Long Beach, California who escape their harsh realities through skateboarding. The film was predominantly shot at 14th Street Skate Park, also known as Ghetto Park, a run down facility that local Long Beach skaters treated as a sanctuary. The film explores their lives in the aftermath of losing their close friend, Michael K Green; a talented skateboarder who was in transition to becoming a professional skateboarder. …
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